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The exhibitions organized at the Centro Pecci and the permanent collection are the fruit of the critical inclinations, the artistic interests and the actual concrete opportunities of the successive directors and curators who have worked there: , flanked over the years by external collaborators who have included Jean-François Chevrier e James Lingwood, Claudia Jolles, Elio Grazioli, Octavio Zaya, Germano Celant, Samuele Mazza, Giuliano Serafini, Filippo Maggia, Raffaele Gavarro, Marco Meneguzzo, Jean-Christophe Ammann, Jean-Pierre Criqui, Viktor Misiano, Achille Bonito Oliva, Marco Senaldi, Luca Beatrice, Davide Ferri. (1993-1994, former director of the international review “Art Forum”) set up new socio-cultural relations to connect the international art scene to the specific features of the territory, in the multi-location exhibition , CID/Arti Visive, 1994), together with the annual celebration of the world fight against AIDS and the institution of the international festival Videominuto (1993, Events Section), the setting up of a laboratory of expressive activities in a convention with the Italian national mental health services, and one of the first national conventions on (1994-1995, formerly assistant to Ida Panicelli) was able to produce the first Italian exhibition of Jan Fabre (1994), and significant solo shows by Angeli Savelli (1995) and Marco Bagnoli (1995-1996), as well as an exceptional selection of contemporary photography from the Swiss collection LAC (The position of president of the Centro Pecci was covered from September 1995 to July 1998 by the architect Paolo Paoletti.In its first 25 years of activity, the Centro Pecci has exchanged works and collaborated on exhibitions with numerous international, national and territorial museums, in the following order: Centre National des Arts Plastiques, Paris; capc –Musée d' Art Contemporain, Bordeaux; Museo d' Arte Contemporanea – Castello di Rivoli; Museum Moderner Kunst – Stftung Ludwig, Vienna; Witte de With Centre for Contemporary Art, Rotterdam; Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria; Centre National d' Art Contemporain, Grenoble; Stedelijk Museum, Amsterdam; Bass Museum of Art, Miami Beach; Atelierhaus der Akademie der bildenden Künste, Vienna; Fondazione Palazzo Strozzi, Firenze; Palazzo Fabroni – Arti Visive Contemporanee, Pistoia; Fondazione Piaggio, Pontedera; Centre National de la Photographie, Parigi; Musée d' Art Moderne et d' Art Contemporain, Nice; Le Consortium Centre d' Art Contemporain, Dijon; Lentos Kunstmuseum, Linz; Musée de Grenoble; Museum of Contemporary Art, Shanghai; Museum of Fine Arts, Hanoi; Korean Design Center, Seoul; Macro Future, Rome; Fondación Proa, Buenos Aires; Polo Museale Fiorentino, Florence; Museo Reina Sofia, Madrid; Padiglione Italia, Expo Universale, Shanghai; Museum of Art, Tel Aviv; Museo Civico Giovanni Fattori, Leghorn; Taichung Creative and Cultural Park, Taiwan; Museo de Arte Moderno, Buenos Aires; Santander Cultural, Porto Alegre; Villa Medicea di Poggio a Caiano; Museo di Palazzo Pretorio, Prato. For the first time the Mayor’s representative for this role was no longer the Councilor for Culture of the Comune di Prato.
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An important framework of collaborations which presents some emblematic works from the collection in prestigious institutional centres of the region.
On Saturday the 8th of October 2016 at 11 a.m., Daniel Spoerri’s work [Carnival of the Animals], and was donated by the artists to the Pecci Centre on the occasion of its retrospective exhibition in Prato in 2007.