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I think if you heard us in 2004 and tuned out until Tegan and Sara 2.0 rose to international stardom, global tour dates, and, most important, played music more in the vein of the ’80s bands they grew up loving, like New Order, Cyndi Lauper, and Depeche Mode.

Tegan also confesses that guitar was never the easiest instrument for her to connect with or handle—both she and Sara were classically trained on piano between the ages of five and sixteen.

I just didn’t think it was necessary to come out until I was in a serious relationship.

’ and then we’re hiring white heterosexual males all the time.

Every one of the album’s 10 songs will be accompanied by a video created in collaboration with “directors and artists who are queer, or transgender, or women, or people of color,” Tegan shares.

Gay artist/musician Seth Bogart, of Hunx & His Punx, directed the colorful, part-animated “U-Turn,” while actress-turned-director Clea Du Vall helmed the humorous, quirky “Boyfriend” clip (Sara composed the score for Du Vall’s directorial debut, “We’re putting our money where our mouth is,” Tegan explains, “because it feels like in the past we had been like, ‘Diversity!

Totally, my girlfriend treats me like a dumb boyfriend all the time.” (Warner Bros.), can only be interpreted as sparkling ’80s-inspired contemporary dance-pop, a synth-rich marriage of New Zealand’s Ladyhawke, Sweden’s Lykke Li, and Katy Perry, the latter of whom they opened for on the 2014 “Prismatic” tour.

“Boyfriend” has already been followed up with a bouncy, bona fide earworm, “U-Turn,” that seems to owe as much of a tip of the hat to Tom Tom Club’s iconic ’80s ditty “Genius of Love” as Norway’s electro-diva Annie.

“Dying to Know” is the fruit of two separate songs the pair was writing separately.